Representation of Sexism in the Netflix Drama Serial the Queen's Gambit from Roland Barthes' View
DOI:
https://doi.org/10.37826/spektrum.v9i1.157Keywords:
Drama Series, Representation, Semiotics, Sexism, WomenAbstract
The Queen's Gambit is a drama series that raises the issue of sexism against women, which in this drama is aimed at the character Beth Harmon. This study used a qualitative method with the semiotic approach of Roland Barthes. This study aimed to determine the meaning of denotation, connotation, and myths created about sexism in the drama series The Queen's Gambit. The scenes that became the object of the study consisted of 5 scenes that showed sexist behavior and speech. The results of this study indicate that women are depicted as creatures that are not smarter than men, are considered weak creatures, are objects made by the mass media to increase the market, are considered sexual objects, and are also considered troublesome for men.
References
Aria, P. (2021). Netflix Dominasi Perolehan Oscar Saat Bioskop Terpukul Pandemi. Katadata.co.id. https://katadata.co.id/pingitaria/berita/60867d33e3c0f/netflix-dominasi-perolehan-oscar-saat-bioskop-terpukul-pandemi
Barthes, R. (2018). Mitologi. Yogjakarta: Kreasi Wacana.
Bourdieu, P. (2010). Dominasi Maskulin (S. A. Herwinarko (trans.)). Yogjakarta: Jalasutra.
Bruce W, F. & T. A. J. M. (2004). A Casebook on Roman Water Law. In A Casebook on Roman Water Law. New York: Oxford University Press:
Budiman, K. (2003). Semiotika Visual. Yogjakarta: Jalasutra.
Buelens, M., & Poelmans, S. (2004). Enriching the Spence and Robbins Typology of Workaholism: Demographic, Motivational and Organizational Correlates. Journal of Organizational Change Management, 17, 440–458.
CBC. (2015). First Female Grandmaster Attacks Idea That Women Aren’t ‘Hardwired’ for Chess Social Sharing. CBC. https://www.cbc.ca/radio/asithappens/as-it-happens-monday-edition-1.3040660/first-female-grandmaster-attacks-idea-that-women-aren-t-hardwired-for-chess-1.3041069
Dewi, P. A. R. (2019). Hijabers Community: Upaya Muslimah Urban Indonesia dalam Membentuk Feminine Space. Jurnal Spektrum Komunikasi, 7(2), 73–81.
Doob, C. (2015). Social Inequality and Social Stratification in U.S. Society. In Social Inequality and Social Stratification in U.S. Society. Pearson Education, Inc.
Ginting, M. (2019). Perilaku Konsumen. Jakarta: Bina Rupa Aksara.
Hall, S. (1997). Representation: Cultural representations and signifying practices. In S. Hall (Ed.), Representation: Cultural representations and signifying practices. England: Open University Press.
Handoko, T. (2005). Maskulinitas Perempuan Dalam Iklan Dalam Hubungannya Dengan Citra Sosial Perempuan Ditinjau Dari Perspektif Gender. Nirmana, 7(1), 85–98.
Juditha, C. (2015). Gender dan Seksualitas dalam Konstruksi Media Massa. Balai Besar Pengkajian Dan Pengembangan Komunikasi Dan Informatika (BBPPKI) Makassar Kementerian Komunikasi Dan Informatika RI, 1(1), 6–14.
Lase, F. J. (2020). Penggambaran Perempuan di Majalah Popular 1988-2018. Jurnal Ilmu Komunikasi, 17(1), 41.
Listyani, A. (2016). Representasi Kecantikan Perempuan dalam Media Sosial Instagram. Paradigma, 04, 1–13.
Macionis, J. J., & Gerber, L. M. (2010). Sociology, Seventh Canadian Edition with MySocLab (7th ed.).
Maclean, D. (2017). Erasmus University Study Claiming Men Are More Intelligent Than Women Lambasted by Science Journalist. https://www.independent.co.uk/life-style/erasmus-university-men-more-intelligent-women-gender-sexist-science-journalists-misogyny-a7820531.html
Millet, K. (2000). Sexual Politic. University of Ilinois Press.
Mills, S. (1995). Feminist Stylistic. London: Routledge.
Oktavia, A. (2019). Konstruksi Makna Iklan “ Gojek Mempersembahkan : Cerdikiawan ” Meaning ’ S Construction of Advertising“ Gojek. Jurnal Spektrum Komunikasi, 7(2), 48–63. https://doi.org/10.37826/spektrum.v7i2.45
Prabasmoro, A. P. (2006). Kajian Budaya Feminis : tubuh, sastra, dan budaya. Yogjakarta: Jalasutra.
Priyatna, Q, P. (2006). Kajian Budaya Feminis. In Kajian Budaya Feminis. Yogjakarta: Jalasutra.
Rachmawati, D., & Mastuti, E. (2013). Perbedaan Tingkat Kepuasan Perkawinan Ditinjau dari Tingkat Penyesuaian Perkawinan pada Istri Brigif1 Marinir TNI-AL yang Menjalani Long Distance Marriage. Jurnal Psikologi Pendidikan Dan Perkembangan, 2(02), 73–80.
Rio Febriannur Rachman. (2020). Greed in the Film "Parasite". Jurnal Spektrum Komunikasi, 8(1), 11 - 21. https://doi.org/10.37826/spektrum.v8i1.60
Russell, D. W. (1996). UCLA Loneliness Scale (Version 3): Reliability, Validity, and Factor Structure. Journal of Personality Assessment, 66(1), 20–40.
Saadawi, N. El. (2001). Perempuan Dalam Budaya Patriarki. Yogjakarta: Pustaka Pelajar.
Sardar, Z., & Loon, B. Van. (2008). Membongkar Kuasa Media. Yogjakarta: Resist Book.
Septiana, R. (2019). Makna Denotasi Konotasi dan Mitos dalam Film Who Am I Kein System IST Sicher. Universitas Sam Ratulangi, 126(1), 1–121.
Supatmi, I., & Masykur, A. M. (2018). Ketika Berjauhan adalah Pilihan : Studi Fenomenologi Pengalaman Istri Pelaut yang Menjalani Pernikahan Jarak Jauh (Long Distance Marriage). Empati, 7(1), 288–294.
Suryabrata, S. (2010). Psikologi Kepribadian. Jakarta: PT Rajawali Pers.
Synnott, A. (2003). Tubuh Sosial: Simbolisme, Diri dan Masyarakat (edisi Bahasa Indonesia). Adipura.
Vries, Dede Wiliam de; Sutarti, N. (2006). Adil Gender: Mengungkap Realitas Perempuan Jambi. Governance Brief, 1–7.
Walter, N. (2013). Living Dolls: The Return of Sexism. Virago.
Wibowo, I. S. (2011). Semiotika Komunikasi Aplikasi Praktis Untuk Penelitian dan Skripsi Komunikasi. Jakarta: Mitra Wacana Media.
